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  • Virtual Offerings
    • The Choir Loft >
      • April 4th - Easter Oratorio - Dianna Morgan
      • April 11th - The Singing Life - Steve Osborn
      • April 18th - Salamone Rossi - Amanda McFadden
      • April 25th - Dan Solter - The Passionate Palestrina
    • Virtual BachTalk
    • Adventures in Sightsinging
    • Parliamo Italiano! Language Workshop
    • Madrigal Mondays
    • Chorale Wednesdays
    • Motet Fridays
    • Virtual Recording Projects
  • Virtual Concerts
    • Live Oak Baroque Orchestra
    • Music for these Distracted Times - Barefoot All-Stars
    • Agave Baroque American Originals
    • Bach's Long Walk to Lübeck - Anne Laver, organ
  • Who we are and What we do
    • Mission Statement
    • Pandemic Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Escrip & Amazon Smile
  • Resources
    • Concert Programs
    • Scores & Parts
  • Contact
  • Join our Mailing List!
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Widely admired as a Baroque violinist of expressive eloquence and technical sparkle, Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area's American Bach Soloists and Philharmonia Baroque Orchestra, and is concertmaster of the International Handel Festival in Goettingen, Germany. In Southern California, Ms. Blumenstock is Music Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished and interesting smaller ensembles including Musica Pacifica, Galax Quartet, Ensemble Mirable, Live Oak Baroque, the Arcadian Academy, and Trio Galanterie. An enthusiastic teacher, Ms. Blumenstock teaches at the San Francisco Conservatory of Music, the American Bach Soloists' summer Festival and Academy, and the International Baroque Institute at Longy. Ms. Blumenstock plays a 1660 Andrea Guarneri violin built in Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust. 


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