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  • Virtual Offerings
    • The Choir Loft >
      • Jan. 3 - Climbing the Musical Stairway to Heaven - Bob Worth
      • Jan. 10 - The Passion of Yeshua - Steve Osborn
      • Jan. 17 - A Statement of Belief - Amanda McFadden
      • Jan. 24 - Hector Berlioz, L’Enfance du Christ - Dan Solter
    • Virtual BachTalk >
      • Jan. 13th - Swimming with Claudio
    • Madrigal Mondays
    • Chorale Wednesdays
    • Motet Fridays
    • Parliamo Italiano! Language Workshop
  • Virtual Concerts
    • Live Oak Baroque Orchestra
    • Music for these Distracted Times - Barefoot All-Stars
    • Agave Baroque American Originals
    • Bach's Long Walk to Lübeck - Anne Laver, organ
  • Who we are and What we do
    • Mission Statement
    • Pandemic Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Escrip & Amazon Smile
  • Resources
    • Concert Programs
    • Scores & Parts
  • Contact
  • Join our Mailing List!
Bachelbel!
Wednesday, October 14, 7PM

Most experienced choral singers have sung and loved Bach's early Easter cantata, 'Christ Lag in Todesbanden' (BWV 4). It's one of his early cantatas, written for 4-part choir, 5-part strings, and SATB soloists; and every verse is based one way or another on Luther's eponymous chorale, itself a re-working of an older hymn entitled 'Christ ist erstanden.'

What most people don't know is that Johann Pachelbel (1653-1706) wrote his own cantata on the same chorale, and it's a doozy. Pachelbel too bases the entire piece on the chorale, and many similarities and correspondences make it hard not to think that the young Bach knew the earlier work. Although we have no evidence of meetings between the two composers, Bach in his early years was tutored by his brother, Johann Christoph Bach, who had studied with Pachelbel; and manuscript copies of music by Pachelbel and other contemporary German composers circulated widely.

In our Sing, we'll take a look at the chorale itself, noting its important and attractive features; we'll sing through the Pachelbel, with a little commentary between movements; and we'll close by singing Bach's cantata straight through.

Please join us as we explore these wonderful Baroque cantatas!
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