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  • ART::MUSIC
    • 2023-2024 Concerts >
      • The Most Famous Motet
      • The Treasury of Petrus Alamire
      • Ein Kind ist uns geboren!
      • Appear and Inspire
      • The Singing Walls
      • Two Tall Tales
      • The Most Ambitious Project
    • Learning and Exploration >
      • Brombaugh Organ Exploration
      • BachTalks
      • The Choir Loft >
        • The National Anthems by David Lang - Steve Osborn
        • Heinrich Schütz Symphoniae Sacrae I from 1629
    • Tickets
    • Donate today!
  • Who we are and What we do
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Sponsor a Singer!
    • Escrip & Amazon Smile
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Parliamo Italiano! Language Workshop
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
    • Scores & Parts
    • Choir Resources
  • Contact
  • Join our Mailing List!
Bachapella
Green Mountain Consort

Saturday, March 11 at 8 P.M. & Sunday, March 12 at 3 P.M.
Bachgrounder lecture 35 minutes before each performance
Bach had access throughout his life—especially in Leipzig, where he moved in 1723—to many works of music by other composers, in both manuscript and print form. There is no question that he made use of this treasure trove,
performing and arranging many pieces and studying and playing others to glean musical ideas.
The Green Mountain Consort will explore this repertoire, known to us from lists, catalogs and surviving scores.
We’ll perform pieces for up to eight voices from the 
Florilegium Portense (1618 and 1621), a compendium of polyphonic music; we’ll feature motets from Schütz’ Geistliche Chormusik; and we’ll include pieces by Bach’s predecessors as Thomascantor, such as Sethus Calvisius and J.H. Schein.
Click here for Tickets
Picture
Interior of St.Thomas Church, Leipzig, Germany.
“Throughout his life Bach showed an insatiable interest in all kind of music, old and new, and of all nations... He assimilated all the achievements to which his time was heir as completely as if he had consciously set out to do so.” 
​
— Hans T. David and Arthur Mendel (1945)
Sonoma Bach  | P.O. Box 656 |  Cotati |  CA  |  94931
​707-347-9491 | info@sonomabach.org

Sonoma Bach is a 501(c)(3) nonprofit arts organization