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  • Only Connect
    • 2026-2027 Concerts >
      • The Book of Genesis
      • A Seal Upon our Hearts
      • On Yoolis Night
      • Reflections of Light
      • Apocalypse A Cappella
      • Bella Madre de’ Fiori
      • Where Two or More are Gathered
    • Community Partners
    • On Our Bookshelf
    • BachTalks
    • Season Brochure
    • Donate today!
  • Tickets
    • Tickets
  • Who we are and What we do
    • Board of Directors and Staff
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Wild Rose Treble Ensemble
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft >
        • The Choir Loft >
          • The National Anthems by David Lang - Steve Osborn
          • Heinrich Schütz Symphoniae Sacrae I from 1629
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
    • Choir Resources
  • Contact
  • Join our Mailing List!
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Widely admired as a Baroque violinist of expressive eloquence and technical sparkle, Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area's American Bach Soloists and Philharmonia Baroque Orchestra, and is concertmaster of the International Handel Festival in Goettingen, Germany. In Southern California, Ms. Blumenstock is Music Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished and interesting smaller ensembles including Musica Pacifica, Galax Quartet, Ensemble Mirable, Live Oak Baroque, the Arcadian Academy, and Trio Galanterie. An enthusiastic teacher, Ms. Blumenstock teaches at the San Francisco Conservatory of Music, the American Bach Soloists' summer Festival and Academy, and the International Baroque Institute at Longy. Ms. Blumenstock plays a 1660 Andrea Guarneri violin built in Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust. 


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