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  • The Flowering of the Spirit
    • 2021-2022 Concerts >
      • Clothed Head to Foot in Song
      • World of Wonder
      • Early Music Christmas: Lo How a Rose
      • Sacred Realms: Très Riches Heures
      • Never to Forget
      • Season Finale: Born of the Sun
      • Organ Recital: The Incomparable Herr Buxtehude
    • 2021-22 Educational Events
    • 2021-22 Virtual Offerings >
      • Virtual BachTalks
      • The Choir Loft >
        • June 5th - How Brightly Shines the Morning Star
        • June 12th - Sacred Works by Valentin Silvestrov - Steve Osborn
        • June 26th - Some Music by Palestrina - Comfort in Perfection - Dan Solter
        • July 3rd - William Byrd: Motets and Masses Part One
      • Repertoire Exploration Projects
    • Tickets
    • Donate today!
    • COVID-19 Audience Safety
  • Who we are and What we do
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Escrip & Amazon Smile
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Parliamo Italiano! Language Workshop
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
    • Scores & Parts
    • Rehearsal Recordings
  • Contact
  • Join our Mailing List!
A Statement of Belief Part II
Amanda McFadden

William Byrd spent the last part of his life away from the Chapel Royal, moving with his family to Stondon Massey, Essex. During this time, he composed a lot of music for the Catholic church (or perhaps for his personal catholic faith). He wrote two books entitled Gradualia, published in 1605 and 1607. These books were published during the reign of King James I, a time of great anti-catholic sentiment in England. These books provided motets and masses for the proper (specific occasions throughout the liturgical year) and were surely used in private to perform mass. Join Amanda for the second month of exploration of Byrd's ordinary masses (for 3, 4, and 5 voices) and a collection of motets from Gradualia.
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