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    • 2022-2023 Concerts >
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      • Arnstadt & Mülhausen
      • Bach Through the Years
    • 2022-23 Educational Events >
      • BachTalks
      • Saturday Sings!
    • 2022-23 Virtual Offerings >
      • The Choir Loft >
        • Feb. 5 - Winter's Chill - Dianna Morgan
        • Feb. 12 - The Heirs of Bach: Charles Ives - Steve Osborn
        • March 12 - The Heirs of Bach: Hugo Distler - Steve Osborn
      • Repertoire Exploration Projects
    • Tickets
    • Donate today!
  • Who we are and What we do
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Sponsor a Singer!
    • Escrip & Amazon Smile
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Parliamo Italiano! Language Workshop
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
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A Statement of Belief Part II
Amanda McFadden

William Byrd spent the last part of his life away from the Chapel Royal, moving with his family to Stondon Massey, Essex. During this time, he composed a lot of music for the Catholic church (or perhaps for his personal catholic faith). He wrote two books entitled Gradualia, published in 1605 and 1607. These books were published during the reign of King James I, a time of great anti-catholic sentiment in England. These books provided motets and masses for the proper (specific occasions throughout the liturgical year) and were surely used in private to perform mass. Join Amanda for the second month of exploration of Byrd's ordinary masses (for 3, 4, and 5 voices) and a collection of motets from Gradualia.
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