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  • The Flowering of the Spirit
    • 2021-2022 Concerts >
      • Clothed Head to Foot in Song
      • World of Wonder
      • Early Music Christmas: Lo How a Rose
      • Sacred Realms: Très Riches Heures
      • Never to Forget
      • Season Finale: Born of the Sun
      • Organ Recital: The Incomparable Herr Buxtehude
    • 2021-22 Educational Events
    • 2021-22 Virtual Offerings >
      • Virtual BachTalks
      • The Choir Loft >
        • June 5th - How Brightly Shines the Morning Star
        • June 12th - Sacred Works by Valentin Silvestrov - Steve Osborn
        • June 26th - Some Music by Palestrina - Comfort in Perfection - Dan Solter
        • July 3rd - William Byrd: Motets and Masses Part One
      • Repertoire Exploration Projects
    • Tickets
    • Donate today!
    • COVID-19 Audience Safety
  • Who we are and What we do
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Escrip & Amazon Smile
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Parliamo Italiano! Language Workshop
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
    • Scores & Parts
    • Rehearsal Recordings
  • Contact
  • Join our Mailing List!
Feritevi by Heinrich Schütz
Yup, the madrigal didn't just go north to England; it (and its descendants) spread around Europe
like peanut butter and jelly on bread.

Plus northerners went down to Italy to learn and feast on Italian style (and, no doubt, food, weather, sun, scenery, ah! la bella vita). One of the composers who made this journey was Heinrich Schütz, who as a very young man lived in and around Venice for a few years, and his first volume of music was published there: A book of madrigals.

And what a book! The young composer had clearly steeped himself in not only the Italian musical style but also the Italian language. Choosing some of the finest and most popular lyric poetry, he made incredibly creative and expressive music to match, ranging from the joyous to the truly tragic, from the small vignette to large multi-madrigal scenes.

Our madrigal today, 'Feritevi' is (as always) one of my favorites. It's the ultimate 'Make love not war' piece. It begins in the style later codified by Monteverdi as the 'stile guerriero', a very powerful, active, agitated texture, as the narrator urges the combatants on; but then the music softens with a rhetorical turn by which we realize that this is not really a battle; it's the old game of love, waged with tongues and lips and...well...you know...

It's a real romp, and a reading and singing (and Italian!) challenge worthy of your mettle. Or just listen along with the music and translation and enjoy this great piece!
Click here to download learning materials
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