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    • 2026-2027 Concerts >
      • The Book of Genesis
      • A Seal Upon our Hearts
      • On Yoolis Night
      • Reflections of Light
      • Apocalypse A Cappella
      • Bella Madre de’ Fiori
      • Where Two or More are Gathered
    • Community Partners
    • On Our Bookshelf
    • BachTalks
    • Season Brochure
    • Donate today!
  • Tickets
    • Tickets
  • Who we are and What we do
    • Board of Directors and Staff
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Wild Rose Treble Ensemble
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft >
        • The Choir Loft >
          • The National Anthems by David Lang - Steve Osborn
          • Heinrich Schütz Symphoniae Sacrae I from 1629
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
    • Choir Resources
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The Splendors of Dresden
Bob Worth

Picture
The magnificent Saxon city of Dresden, sometimes known as ‘Florence on the Elbe River’, was a hotbed of sophisticated musical activity from the 16th-century. Composers such as Johann Walter, Rogier Michael, Christoph Bernhard, Heinrich Schütz, Hans Leo Hassler and Michael Praetorius worked for the court or for such church institutions as the Hofkirche and the Frauenkirche.
We will explore the work of many of these composers, examining their music both in its own right and with respect to such influences as the Reformation, the Thirty Years’ War, and the influx in the 17th-century of Italian musical styles and techniques.
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