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  • One Long River of Song
    • 2025-2026 Concerts >
      • The Rise of Polyphony
      • Music's Renaissance
      • A Three-Nation Celebration
      • Exploring the 18th Century
      • Partsong in the Romantic Era
      • Johannes Brahms and the Geometry of Hope
      • Music for Modern Times
    • Donate today!
  • Tickets
    • Tickets
    • Subscriptions
  • Who we are and What we do
    • Board of Directors and Staff
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Sponsor a Singer!
    • Escrip & Amazon Smile
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
    • Scores & Parts
    • Choir Resources
  • Contact
  • Join our Mailing List!
The Splendors of Dresden
Bob Worth

Picture
The magnificent Saxon city of Dresden, sometimes known as ‘Florence on the Elbe River’, was a hotbed of sophisticated musical activity from the 16th-century. Composers such as Johann Walter, Rogier Michael, Christoph Bernhard, Heinrich Schütz, Hans Leo Hassler and Michael Praetorius worked for the court or for such church institutions as the Hofkirche and the Frauenkirche.
We will explore the work of many of these composers, examining their music both in its own right and with respect to such influences as the Reformation, the Thirty Years’ War, and the influx in the 17th-century of Italian musical styles and techniques.
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