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  • One Long River of Song
    • 2025-2026 Concerts >
      • The Rise of Polyphony
      • Music's Renaissance
      • A Three-Nation Celebration
      • Exploring the 18th Century
      • Partsong in the Romantic Era
      • Johannes Brahms and the Geometry of Hope
      • Music for Modern Times
    • 2025-2026 Season Brochure
    • Donate today!
  • Tickets
    • Tickets
    • Subscriptions
  • Who we are and What we do
    • Board of Directors and Staff
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Wild Rose Treble Ensemble
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Sponsor a Singer!
    • Escrip & Amazon Smile
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
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Qual Mormorio Soave by Luca Marenzio
a beautiful piece by Luca Marenzio. We've already had a madrigal by Marenzio; this one is different in being a so-called 'madrigale spirituale'. This sounds like a contradiction in terms--
​a madrigal is about love, relationships, the natural world, right?

But, as demonstrated by our motet last Friday (Robert Parsons' 'Ave Maria'), there's not always a bright line between a motet and a madrigal. Some sacred texts are as sensual as they are spiritual, and many madrigal texts are serious explorations of philosophical and spiritual issues.

In 1584, Marenzio published his single book of madrigali spirituali. In it, he brings his full powers as a madrigalist to bear on a set of sacred poems in Italian. 'Qual mormorio soave' is one of my favorites from the book. It's a retelling of the Annunciation, with an atmospheric setting of the scene which seems to bring Fra Angelico's backdrops right off the canvas and into words; and with a closing section which celebrates the joining together of earth and heaven.

Marenzio's exquisite setting of this poem honors the gravity of the moment, but also expresses (in a very madrigalian way) each tiny detail of the poetry in a succession of sensual, evocative moments. The crucial middle section--the Virgin's response--is delivered by the trio of women's voices. Unforgettable!
Download Score
Text and Translation
Italian Pronunciation
Midi Practice Track
Soprano 1 Midi
Soprano 2 Midi
Alto Midi
Tenor Midi
Bass Midi
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