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  • One Long River of Song
    • 2025-2026 Concerts >
      • The Rise of Polyphony
      • Music's Renaissance
      • A Three-Nation Celebration
      • Exploring the 18th Century
      • Partsong in the Romantic Era
      • Johannes Brahms and the Geometry of Hope
      • Music for Modern Times
    • Donate today!
  • Tickets
    • Tickets
    • Subscriptions
  • Who we are and What we do
    • Board of Directors and Staff
    • Mission Statement
  • Our Ensembles
    • Sonoma Bach Choir
    • Circa 1600
    • Green Mountain Consort
    • Live Oak Baroque Orchestra
  • Support
    • Donate
    • Sponsor a Singer!
    • Escrip & Amazon Smile
  • Resources
    • Virtual Offerings - Archive >
      • The Choir Loft
      • Virtual BachTalk
      • Adventures in Sightsinging
      • Madrigal Mondays
      • Chorale Wednesdays
      • Motet Fridays
      • Virtual Recording Projects
      • Virtual Concerts >
        • Live Oak Baroque Orchestra
        • Music for these Distracted Times - Barefoot All-Stars
        • Agave Baroque American Originals
        • Bach's Long Walk to Lübeck - Anne Laver, organ
    • Concert Programs
    • Scores & Parts
    • Choir Resources
  • Contact
  • Join our Mailing List!
The Music of Johann Hermann Schein
Bob Worth
Schein was a year younger than Heinrich Schütz, and was close friends with the more famous composer.
Though Schein (unlike Schütz) never went south to bask firsthand in Italian music (not to say the weather, the scenery
and the food),  he kept a close watch on the budding Baroque style and incorporated many of its techniques and traits in his works.  A predecessor of Bach as Cantor at Leipzig's Thomaskirche, Schein wrote plenty of wonderful sacred music;
​but he was very interested in singing, playing and writing secular music as well, and in fact his publications alternate between sacred and secular collections.  Bob Worth will lead a gentle stroll through a selection of this terrific composer's works in a variety of styles, moods, and instrumentations.
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